This will be my final piece for the ACW newsletter prior to my departure for pastures new. It comes at the end of a very busy period for ACW which has included the 2008 Creative Wales Awards, the first meeting of the board of the new English Language Theatre Company for Wales, the launch of the Heads of the Valleys community arts project, the opening of the latest Artes Mundi exhibition and the announcement by Academi of the long list for Book of the Year.
It was particularly pleasing to attend the first play in English by Sherman Cymru, ‘The Almond and the Seahorse’. Its excellent reviews set a real marker for its future work. It’s the culmination of a long period of change and development and a credit to all of those involved.
On a similar note, Diversions’ first stand-alone production on the main stage of the WMC showed that the company’s aspirations can be realised on the scale and quality which is commensurate with that of a national company. Taken alongside the triumphant appearance of Bryn Terfel in ‘Falstaff’ with the WNO, it’s a tribute to the companies themselves and also to the WMC, and particularly to the Welsh Assembly Government and Heritage Minister Rhodri Glyn Thomas, who have made the investment which has secured the future of the Centre which offers such a fitting home for its residents.
On a smaller scale, the ‘Agor Drysau’ festival in Aberystwyth used for the first time the new home of Cwmni Theatr Arad Goch. Set in a converted chapel and manse, those of you who remember their original premises will be astonished by the quality of the new facilities and the architecture and artwork. The festival itself saw Welsh companies showcase their work alongside that from companies around the world. I was lucky to see an excellent Danish production of ‘Hamlet’ starring two actors and two double basses which gripped and enthralled a substantial audience.
It’s very fair to say that the arts in Wales are showing real vigour and quality, and that it will be a major challenge to sustain and develop this in the years ahead. One huge asset in this task will be the additional funding for Beacon Companies provided by the Welsh Assembly Government, and the proposals for this funding were discussed at the consultation seminars that were held across Wales about the Draft Art Form Strategies. More details can be found at: www.artswales.org.uk/page.asp?id=224
In a short introduction like this, it is not possible to do justice to all that is going on and inevitably some highlights have not made it in. I could have mentioned, for example, ‘Y Pair’, Theatr Genedlaethol’s production of ‘The Crucible’, or the opening of the exhibition of work by the artists who represented Wales in Venice, at Oriel Davies and Chapter. There is also much to look forward to, the re-opening of the Torch Theatre and Ruthin Craft Centre not least amongst it.
This prompts me to mention a less artistic, but nonetheless significant event at the National Assembly, when the Audit Committee considered a positive report on the management of ACW’s capital programme. The staff I have worked with at ACW have been a real asset to the arts in Wales, and much of what I have written of would not have happened without their dedication, expertise and passion. It’s also right that I should pay tribute to successive Chairs and Council Members who have brought wisdom, vision, commitment and inspiration to their roles.
But without the artists, creative individuals and arts organisations of Wales, we would live in an infinitely poorer place. I have valued my opportunities to get to know your work and to support it. Your capacity to touch, to question and to inspire is a priceless asset and I am grateful and honoured to have had the opportunity to work with you. I look forward to continuing to experience and appreciate your work in the future.









